Budds, Diana. "NYC's Coolest Public Art is Making Streets Safer." Curbed.com, February 2020
Jenkins, Mark, “Four Curators Share One Spotlight,” The Washington Post, March 2017
Van Ryzin, Jeanne Claire. "Artists' New Tools Present Fact, Fancy in Fresh New Light." Austin 360, Austin, TX. January 2013
Newhall, Edith. The Philadelphia Inquirer
Philadelphia, PA. June 2011
Jacobson, Louis. "SuperNatural" at Curator's Office" Washington City Paper, Washington, DC. June 2011
McCaw, Heather. "SuperNatural" Most Natural Thing"
pinkline.org, Washington, DC. June 2011
Regan, Sheila. "It's Alive! 'Painting Zombies' Challenges the
Death of Painting." Minneapolis City Pages, Minneapolis, MN.
November 2010
Dawson, Jessica. "Where Did the Optimism Go?" Washington Post, Washington, DC. October 2008
Washington Post Express, Critic's Picks. Washington, DC. September 2008
Utter, Douglas Max. “A Time of Bones.” Cleveland Free Times,
Cleveland, OH. October 2007
New American Paintings No. 69, Featured Artist, The Open Studios Press, Boston, MA, April 2007
Pimia, Garin. “Lloyd Dobler Gallery Takes on Drawing.” Newcity Chicago, April 2007
Raynes, Maria. “(Un)Restricted” exhibition review.
Centerstagechicago.net, April 2007
Mast, Audrey, “(Un)Restricted” exhibition review, Flavorpill
Chicago, April 2007
Sakai, Chiho. “Near Maps” exhibition review. Bijutsu Techou, April 2006
New American Paintings No. 56, Featured Artist, The Open Studios Press, Boston, MA, December 2005
Flavorpill CHI | NYC | SF | LA | LONDON
March 6-12, 2007
This exhibition's three artists blur the boundaries between figuration and abstraction in thrilling new ways. Ann Tarantino's performative "breath portraits" involve the artist blowing ink through a straw and embellishing the blobs with paint, resulting in creeping, plantlike forms; Christian Rieben's large-scale paintings suggest mysterious psychological landscapes with a wicked sense of humor (one piece in particular, Ass-Fixated, looks like a giant, blooming mum, but the title suggests other possible interpretations); and Dominick Garritano's bombastic, lushly brushed painting resembles a series of small, mosaic-like collages of geometric shapes and playful, vivid color. (AM)
Mast, Audrey, “(Un)Restricted” exhibition review, Flavorpill
Chicago, April 2007